Backmasking

Backmasking (not to be confused with backward masking) is a recording technique in which a sound or message is recorded backward on to a track that is meant to be played forward. Backmasking is a deliberate process, whereas a message found through phonetic reversal may be unintentional.
Backmasking was popularised by The Beatles who used backward instrumentation on their 1966 album Revolver. Artists have since used backmasking for artistic, comedic and satiric effect, on both analogue and digital recordings. The technique has also been used to censor words or phrases for "clean" releases of rap songs.
Backmasking has been a controversial topic in the United States since the 1980s, when allegations from Christian groups of its use for Satanic purposes were made against prominent rock musicians, leading to record-burning protests and proposed anti-backmasking legislation by state and federal governments.

Experiment

This is an experiment making a video by taking clips and editing them together, influenced by Paul Harrison and John Wood.

Video experiments

This video is another experiment based on a journey, however this time it's the journey about a hat.  I just filmed me throwing the hat then putting it in sony vegas and cutting and placing together the clips to make it look like one whole movement.  

This second is exactly the same just with a different ending.  I also added music to make it more interesting.

Video experiments

This video is an experiment I filmed during lessons where I got a football and recorded myself throwing it and rolling it around the school to produce a clip of the journey of the ball.  I then put these little clips together in Imovie to createone whole film.  This experiment was a idea to begin with, to be able to build on.

In this video I got the film I made previously and edited it in imovie.  I reversed a few clips and switched the positions too make the journey have more of a meaning, I also added music to add more entertainment and a bit of humour.

Paul Harrison + John Wood

John Wood and Paul Harrison are a duo which do film based work.  They do small films in their studio which are done with whatever they can find or make which the human figure can fit in and interact with.  They have work in the tate modern called 'Twenty-six drawing and falling things', it’s a series of 26 videos based on the human figure interacting with everyday objects or architectural spaces.

 

Triptych experiments

This a triptych i made of my dad doing movements while watching football.  I had the shutter speed to about 2.5 seconds to take these photos as the lighting wasn't that great.  I also put each photo into Photoshop and edited them with adding more contrast to them and also cropping them.

This is just me editing one of the photographs in Photoshop.

In this triptych of my father watching football I thought about how someone that loves football as much as my dad is so passive whilst watching the game so I looked up, John Goto who exagerates his images with the things he gets his actors to do, whilst the context being political and important.  I specifically looked at his crowd scene photographs, which are about the iraq war and politics, they have have also been very set up and made into a montage which makes them more jokey.

   Crowd scene 2

Crowd scene 1                                                      

These images in crowd scene 2 are gestures that John Goto found in newspapers that George W Bush did.


Here is an example of two.

In the Crowd scene 1 image John Goto got the actors to recreate the expressions of people tortured and suffering in iraq.

Here are some football crowds which show the exaggeration that people have at matches.

   

My idea to relate John Goto's work in my experiments I am thinking of looking up football celebrations by profesional football players and get a friend to recreate each celebration and put them in photoshop to create a montage.

 

Here I have my take on celbrations from profesional football players.  I have editted photos in Photoshop and created this montage over these photos.

 

Francis Bacon Triptych Research

The Irish-born artist Francis Bacon (1909–1992) painted 28 known triptychs between 1944 and 1986. He began to work in the format in the mid-1940s with a number of smaller scale formats before graduating in 1962 to large examples. He followed the larger style for 30 years, although he painted a number of smaller scale triptychs of friend's heads, and after the death of his former lover George Dyer in 1971, the three acclaimed "Black Triptychs".



Bacon was a highly mannered artist often preoccupied with forms, themes, images and modes of expression that he would rework for sustained periods, often across decades. When asked about his tendency for sequential paintings, he explained how, in his mind, images revealed themselves "in series. And I suppose I could go long beyond the triptych and do five or six together, but I find the triptych is a more balanced unit." His career began with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, an instant critical and popular success. The format appealed to him; he said, "I see images in series", according to Bacon images suggested other images and series became his dominant motif. He moved past the triptych format, and from the late 40s to the late 50s produced works in series of up to 10 works, many of which rank amongst his finest, including his series of Popes, heads and men in suits.