
Bacon was a highly mannered artist often preoccupied with forms, themes, images and modes of expression that he would rework for sustained periods, often across decades. When asked about his tendency for sequential paintings, he explained how, in his mind, images revealed themselves "in series. And I suppose I could go long beyond the triptych and do five or six together, but I find the triptych is a more balanced unit." His career began with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, an instant critical and popular success. The format appealed to him; he said, "I see images in series", according to Bacon images suggested other images and series became his dominant motif. He moved past the triptych format, and from the late 40s to the late 50s produced works in series of up to 10 works, many of which rank amongst his finest, including his series of Popes, heads and men in suits.
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